Somewhere
among the jumble of memorabilia I have preserved over the years is a
handwritten letter with my name and childhood address on it. It is postmarked “The North Pole”, and is
signed, Santa Claus in bright red ink. It continues to raise some
interesting insights into one of our most enduring seasonal traditions.
The
name Thomas Nast is seldom heard these days, and where it is, I doubt it
is associated with Christmas. But the
fact is this immigrant American who
arrived here from his native Germany at the age of six, a century-and-three-quarters ago, has touched our national Christmas
tradition far more than the casual historian might suppose.
By
the time he was 13, Nast had already begun a career as a newspaper
illustrator. He was destined to become
one of the most influential cartoonists of his day, his biting satires a
regular feature of Harper’s Weekly.
His work directly affected the outcome of one of New York’s most famous
political campaigns, and it was Nast who invented the Republican Elephant and
the Democrat Donkey.
What
is less known is that he also invented America’s Santa Claus. The idea of Father Christmas, or St.
Nicholas, came to our shores with the first Dutch settlers, who pictured
this mythical character as a tall bishop of serious demeanor, clad in black
clerical robes, and carrying a birch wood staff.
Thomas
Nast set about changing this image with a cover design he did for an issue of Harper’s
Weekly in December,1863. He was
burned out on serious subject matter, and tired of reporting on the grim war
news coming from the battlefields of the Civil War. In this drawing he depicts a fanciful Santa
Claus, visiting a Union Army outpost, clad in the stars and stripes, and
distributing toys to the soldiers. He entertains the crowd with a jumping jack
dangling from a hangman's noose, its chest bearing the name "Jeff"
for Confederate President Jefferson Davis. In the background Nast pictured
soldiers playing games, trying to
capture an escaped pig and trying to climb a greased pole.
In
the years that followed, Thomas Nast refined his idea of what Santa should
really be like, deciding that the country needed someone who was brightly
dressed, full of good cheer, and anxious that children should strive to be
“nice”. Nast and his artist’s pens
turned Santa into a toy-maker headquartered at the North Pole, and in an
illustrated children's book he published in 1866, he added a reindeer-drawn
sled filled with toys. Over a period of
twenty-three years, the cartoonist who loved Santa Claus left us a legacy that
has become a heart-warming part of every Christmas.. . a “right merry old elf”
who refuses to be taken too seriously.