Although
it is easy for me to write with an unmitigated enthusiasm on the subject of
fine food and its preparation, I thought long and hard about daring to use the
word “sorcery” in the title of this column, hinting as the word does at something
magical and arcane. In fact I twice retreated from such literary boldness
before admitting that I was merely being honest with myself. There is
something magical about foods which grow out of long human history, explicit
geography, and rich tradition. Mrs.Novak’s Hungarian goulash, Senora Barbanti’s
rich tomato pasta sauce, Anna Schmidt’s stuffed beef roulade and Esteban
Majilla’s six-chili moli far surpass in my culinary memory box any “gourmet”
event served up in the finest of grand restaurants. The mystique those examples
all have in common arises from their origin in a home kitchen, from family
recipes hoary with history, the loving assembly of the simplest of ingredients,
and the humble, devoted and respectful tables at which they were shared.
Ireland is not only a land rich in
tradition, but a country whose history is bound up with struggle and hard
times. A scrutiny of their most honored dishes reveals a respect for basic but
sometimes- limited food resources and a thoughtful economy in preparation and
dining lore. The institution known as
the “Pub” throughout the United Kingdom is something more than the American
“tavern” or “bar”, and more than the “licensed public house” dispensing
alcoholic beverages it started out to be a century or two ago. In Ireland, for
instance, it is a place where both adults and children may gather for an
evening of fun, friendship and the music of local musicians; and perhaps the
last refuge of traditional food well and simply prepared and served in a public
setting. Perhaps the best description I can come up with for such a dining
experience is one made by Australian food author Loukie Werle in her book Cucina Povera when she writes of “eating
plentifully and with a warm heart”.
Although I have never visited
Ireland (or the British Isles for that matter) in person, I regularly make the
journey by way of my library, pantry and kitchen. I am serious enough about
traditional corned beef for instance that I regularly brine-cure selected beef
cuts in a basement crock, while Irish Soda Bread is a frequent staple at our
table. When sitting down to a table set with Irish “Pub” fare, it is often done
against a background of Enya singing “NA
LAETHA GEAL M’ÓIGE”, or the latest “CELTIC WOMAN” CD.
Title photo above:
Filled
with plump golden raisins and the slight acidity of two cups of buttermilk, my
favorite “Irish Soda Bread” offers up the virtue of being quick to make, having
no yeast and the need for rising time, and a blend of both whole wheat and
regular bread flour. Eggs, brown sugar and a tablespoon each of baking soda and
baking powder and you have the basics. Of course a true Irishman would add just
a touch of whiskey to plump the raisins (and bake away in a 350 degree oven).
At
the heart of a “Pub:”-style ploughman’s lunch might be found a savory meat pie,
a marriage of slow-roasted beef tips, onions and vegetables capped off with a
favorite pie crust (my wife’s contribution in this case). In a true Irish
“Pub”, the flour-dredged meat would do its roasting in beef broth fortified
with a cup of Guinness stout; optional of course, but worth the effort.
For a hefty, nutritious and sturdy loaf of
farmstead-style Irish bread, nothing comes close to this nearly-three-pound
“magnum” of oat-and-potato bread, boasting a moist and tender crumb and a
crispy exterior with a satisfying crunch. It is a long-keeper in the bread
drawer and makes resoundingly good toast in the bargain. Mashed potatoes, old
fashion rolled oats and a blend of flours react wonderfully to yeast, salt,
butter and dry skim milk.
Photos by Al Cooper
No comments:
Post a Comment